Yashida from Deadpool VR

I was responsible for this modular samurai interior set, which was used in multiple locations across the level. I did not make the pots, baskets, crates, or lanterns.

A traditional Japanese tea-making station

The storage and shelving wall as seen in Maya, and the wireframe view of the same asset

The loft within the samurai domicile

Ew, don't look

I created this spike trap that somehow infinitely recycles spear-sized arrows

Smash trap alley. I did not make the cave

Foundation wall for pagodas

I was responsible for the floor, including trims and debris, and some prop placement

I was responsible for the floor, including trims and debris, and some prop placement

I made the ground, flagstones, blood, and foliage for this area. I believe the lower stone wall texture was also mine.

I made the ground, flagstones, blood, and foliage for this area

Becky Lin and I made the ground in this area

Hand-painted floor textures with dirt blending accomplished using lightweight materials techniques in UE4

Flagstones, foliage placement, and distant terrain

I created the cliffs and placed the foliage. I also did a broken version of the pagoda window that Deadpool zips through

The windows are my work. The buildings themselves were created by outsourcers

I revised the Hand banner that outsourcers delivered to us

I was responsible for the vista, but John Sommer made the sky

An example of one of the billboards used to create the furthest parts of the background